Monday, July 23, 2012

Something Important To Me and a Little Charity

The Thinker
What is something important to you?  What is something that drives you on a regular basis?  When you wake up in the morning, what is the first thing your mind turns to?

Granted, what I am going to share isn't quite to the extreme that I wake up and immediately begin thinking about these, but throughout the course of my day my mind does tend to linger on this topic.

A quick little story:

My life is fairly simple.  I like it this way.  I like being able to keep control over my environment; however, a little chaos is never a bad thing.

For me, my chaos comes with the animals I have taken in.  One in particular that my brother rescued back in 2005, a pocket sized orange and white medium haired cat.  Within in a year this little bundle of fur became one of the most invigorating and inventive creatures in our house.  And when I say inventive, I mean I have never known a cat that could problem solve the way Peach did and does.  But, the essential point is that as Peach truly bonded with me and not so much the others in the family, my world began to change.

I have always loved animals of all kinds.  However, as Peachy and I spent more time together playing and investigating the backyard I began to realize how truly amazing animals can be.  Then, when I had to return to work full time in the fall I went to find Peach a friend.  I found Bama one cool October evening at a PetSmart store and something about her just ate me up.  Her story can be found here:

PetSmart Charities

Anyway, what does all of this have to do with writing?

It has often been said that when we wright we need to write about what we know about.  Personally i don't believe that statement.  In truth we need to write about we we want to learn about and what we're passionate about.  A few years ago I began writing a book about my animals, but there's no real focus, so I have been trying to learn more about animals in many respects.  I've worked and spoken with owners, vets, wildlife rehabilitators, game and fish specialists, game wardens, religious leaders, and many others trying to find a focus for my book.

However, that just maybe the right angle.  There is no focus except how these "beasts" become family and how they are more human in many ways than some of us realize.

So...what's important to you?  What do you want to learn more about?  

Monday, July 9, 2012

Showing Your Story, Not Telling It! (warning)

Well, now that all the theory and writing mumbo-jumbo has been dealt with, let's begin.

A quick note, I'm going to try my best to avoid stepping on toes in this one, but it will probably happen as I am speaking about religion, a hot button issue which is also why I will be using it.  Most of us have an immediate reaction to the term or idea of religion.  A little history about me is that I am a Christian and I have been a missionary, but the circles I run in are not exclusive to those ideas.

Throughout this post, though, it is important to keep in mind truth over perceptions.  People will fail us, that is a fact.  It is important to keep in mind what is and is not truth, and the argument that truth is subjective is not truth.

I will begin this part by letting everyone step into a brief moment in my daily life.  I have a lot of acquaintances, they're friends but people who rarely interact with me, or me with them, beyond Facebook or work.  Often enough they toss out little comics or send me an email to make their point and strut their stuff as though the point they made was really just as simple as how the comic makes it sound.

Now, where am i going with all of this?  That's simple.  One of the aspects of writing, whether it's fiction or nonfiction, is that it is best to show our audience not tell our audience.  It sounds easy, yet tends to be tricky. We want our characters (fictional or non) to simply drop logic bombs by sharing their fast ideas with the rest of humanity and then people will listen.  But the catch is that people don't listen unless they respect someone, and chances are they don't respect your character (even nonfiction ones because of how we tend to portray a person).  Therefore it's best to create the scenario and let the characters work it out rather than sit around a coffee shop and talk.

Now, take for example the following two comics.  I use these because they point-counterpoint and not to illicit a response from anyone or to upset anyone.  It's a learning experience.


from atheistcartoons.com
from liberallogic101.com

Okay, so the first comic has an atheist asking the audience to imagine a world without religion and then two of the world's top religions showing intolerance and chasing after him.  Cute.

The second comic makes a jab at Catholics but then follows it up with some facts that can be checked...but whether we nitpick or not on the facts presented (and yes I am aware that there are atheist charities out there, but I am unaware of any "anti-christian bigoted" charity groups, and i want to reiterate that I am not trying to incite anyone) there is still an important point to be made about charity, the message we inadvertently send, hypocrisy, and the role of religion.

*Climbs down from small soapbox*

The point is, someone made these comics and is trying to tell us something.  The catch is that people who will agree with one of these comics or the other is someone who probably began looking at the comics and already agreed with the ideas within it.  Thus, how would we transfer ideas that others may disagree with into a format that would better express our views and not overly simplify the situation.

So, what could we do?  We could create a story to address the first comic.  A world without religion, what would it look like?

Well some would see a utopia type of life.  Socialism walked this path believing in the innate goodness of human kind.  Everyone working for the betterment of all without the thundering spirits overhead lashing their whips of flame and damnation.  This is certainly a possibility.  

Although I personally would not walk that road, and willing to risk any nasty criticism I get (which would ironically support my thesis), I would look at the other extreme.  A world without a religious backdrop is one where there is no moral hierarchy, no ability to say what is a universal right and wrong.  Death, power struggles, drug addiction, murder, greed to extremes.  Things that are often found when we look at history and modern day in places where there is an absence of strong religion and moral struggle.  People are good, which would and could create our story, but people are also innately wrought with bad traits.  When unchecked by something greater than ourselves (a divine being, the death of the entire human race, or grandma and her rolling pin) humanity tends to devolve into a self indulgent state where people are harmed for other's amusement or prosperity. (hmm, anyone remember Nero? Caligula? The 1970s).  And some may scoff, but look at some of the groups with lobbyists that have surfaced who have no real value in furthering human society, debate, research, just themselves (for fun, the medical marijuana groups who ignore the fact that the medicinal properties tend to get destroyed when the plant is introduced to heat).

*steps down from soapbox*

Oh wait...did I just open up the issue of virtues and vices?  Isn't that an archetypal concept?  YES, my fellow writers.  Virtues and Vices are archetypal traits!  Oddly enough, many of the famous "Seven Deadly Sins" are repeated throughout other cultures moral frameworks, thus making it archetypal.  Just heaven help you if you're writing a blog and trying to find a picture of "vices and virtues".   Three pages of Panic at the Disco album covers?  I fear for our culture now, I really, really do.
However, I want to quickly point out that hypocrisy is not the issue I'm talking about.  I'm also not trying to assault any one's religion or lack there of.  I'm merely talking of history, values and memes.  I know that there are good people who do not believe in a higher power just as well as i know that there are people who claim to believe in a higher power but one could never tell, and in some religions those who claim to know the higher power but do not display that knowledge in their lives are deemed not of that religion.  

Yes, I'm talking in a vague cloud of words because this is always a hot topic and that whole once-bitten-twice-shy thing tends to make my apprehensive.

*climbs off the small soapbox again* 

So how do we illustrate these points?

In fact the second comic is sort of a Bible lesson, for those of us who stayed awake in Sunday school it's not surprise.  When Jesus had his feet washed by the woman with the perfume, Judas became upset that the money was wasted on the perfume when it could have been used to feed the poor.  Well Judas was right wasn't he?  Maybe, but the fact that he was rebuked becomes the focus of the point.  Judas was upset and over compensating for his own iniquities.  We know this because of his reaction.  He has been walking with Jesus for a while, and he should have learned that people worship Jesus it is never worthless or useless.  The woman could go out now and tell her story.  She could share with the world her testimony.  She could stand tall when others refused to even get up for fear.  Her actions are the focus and her actions are the key.  

So what could we do?  We could show a world without religion.  We could show the world where religion reigned over.  Both could be shown as utopias, but only one can also be shown as a distopia.  We would need to show the struggles and how those struggles in those societies would or could be overcome.

Now, for those who will make the point that a religious world would be a distopia, too, because people would no longer be free thinkers, I would like to direct your next few readings toward John Milton.  Please read the real stuff on him, none of the conjecture about his sexuality or beliefs because, frankly people, we don't know the secrets, but we do know essential facts about the man.  Anyone can make up conjecture about a person based on their nicknames or letters they've written.  I would hate to see what future historians would say if they knew my nicknames in school or found the letters I had written to many of my friends (male and female).

*Climbs down from the soapbox again*

One fact about Milton was that he struggled with trying to picture a world where God reigned supreme.  There is little doubt that the man was a devout follower of God, but he identified the pre-fallen world as "stupidly good".  He depicted the struggle in Heaven as a philosophical battle that turned into war while God was absent unable to decide why God was absent, or why God was absent at the fall, except that it was planned.  That everything since then was the fire purifying the gold that would decorate the streets of Heaven (symbolism, humans are the gold).

C.S. Lewis struggled much with the same concept and he wrote a companion piece to John Bunyan's Pilgrim's Progress called Pilgrim's Regress.  Both stories take readers on a walk through this fractured world to find that perfect place, or find it once again.

Conclusion:

Basically, the point becomes that your job is to show us what you wish us to see and understand.  Not tell us.  You must create a world that is plausible and demonstrative of what you wish people to perceive.  Star Trek lived and died on scientific exploration.  Camelot lived and died upon the notion of everyone working together.  Paradise was lost when pride became part of the equation.






Tuesday, July 3, 2012

Even More Character Archetypes: Literature Style.


We all know the formula.  Dragons steal damsels.  Kings rule lands.  Knights quest.  Dragons die.  Damsels are saved.  Tra-la-la-la-la!

Or is it?

I know, for anyone who read through my other posts, I'm beginning to sound a lot like a college professor spouting out the rules and guides to writing.  The great thing about writing is that none of these rules or guides need to be followed.  In fact, you can smash these archetypes to bits with your creations and, trust me, it is encouraged.  No one wants to read the exact same stories over and over.  That's why the TV cop dramas keep getting redone with new angles, new problems, new ways to kill someone and/or solve the case.

Anyway, with that thought out of my head, let's talk about archetypes, but instead of looking at our ancient history, we're going to look at some big ones for modern literature: Warrior, Mentor, Geek, Seductress, Femme Fatale.  As a note, I would like to point out that this is a quick rundown and each group can be broken down further and I can even add more types.  However, right now, I'm more worried about building up ideas and beginning to play with the concepts.

There are of course many others to be looked at, but let's start small so that we may actually find our way into getting into the rising action of our story examinations.

Author Neal Stephenson, image borrowed from
Bloomberg Businessweek at
http://www.businessweek.com/articles/2012-06-15/
a-sword-fighting-lesson-with-neal-stephenson

(you need to close the gap between the "15/" and "a-s")
The Warrior is simply the character who we are following.  They're the ones struggling and battling to obtain some goal.  This includes the gaunt, scrawny kid who no one suspects to ever fight back.  If they are physically struggling against something, they're a warrior.  The warrior is often smart, regardless of what the name conjures.  The warrior is typically honorable, serves a higher purpose or a higher power than himself.  Although, love is probably a much grater cause than oneself, it is not always the driving force behind a warrior.  Particularly today, a lot of readers and writers have made the point that love is seen as passé and weak to a characters central motives.  A bit of a sad commentary on the times we live, in it would seem.

The Mentor is the character who has accrued a great wealth of knowledge in their lifetime and uses it to further the cause of whichever hero we're dealing with.  Wizards, Jedi masters, librarians, anyone with a great acquirement of knowledge who is helping the warrior through his journey or quest.  Or, helping the villain destroy his nemesis...as we play with conventions and changes.

The seductress, once a staple in most pieces of literature as a woman who lures the hero (occasionally a villain) into a trap with her wiles, was a method of depicting the hero as a human character.  The seductress could have been a love interest who betrays him in a teenage drama.  The seductress could be one of the women who help bring down a crooked general by luring him away from his guards.  However, rarely is the seductress a pivotal character.  Her ultimate job is to create movement in the plot...but this has occasionally been changed from time to time.

As times have changed new conflicts and additions to the literary bouquet have surfaced.  One of these is the Geek, or the hacker, or the nerd.  Basically, this is a mesh between the mentor and the warrior except that this character holds the weak, unassuming assets of the mentor and truly survives off of luck and his knowledge.  Their charms seem limited to their circle while they're clumsy around those outside their circle.  A great example of this is the sitcom Chuck.  Charles Bartowski is a hapless and unwitting participant in the world of the spies.  His costar, Yvonne Strahovski, as the next new archetype.

"The night air, rich with heat and humidity, revealed little of its mysteries.  The moon refused to offer any of her insight tonight.  Fear welled up in his chest, but he refused to allow it to become dread.  He did his best to chase the demons of Phobos and Deimos away with the click of the safety of his pistol.

Shots suddenly rang out.  Echoing throughout the streets.  He darted to one side, but it was all for naught.  There she stood, her pistol smoking and pressed to the back of his head..."

Thus we see a Femme Fatal archetype.  Sexy, intelligent, charming, strategically well endowed, and loaded with courage.  Though they have existed in history books, it took a long time before the female assassin to become a staple of literature.